Juan Gris (born Jose Victoriano Gonzalez) was brought up in Madrid 1887;; in 1906 he fled to France to ward off military conscription, where he joined the circle of avant-garde poets and artists (which imply Braque). His first moves were post-impressionist still life but he briefly eagerly followed the path towards abstraction right stool Picasso and Braque and reborn to cubism. Cubism dated back to the beginning of the 20th century, it was a turn point in the modern art and with its unlike ideals it garbled many artists. It was established for a synthetic purpose, so that when an pic was depicted its views were not limited and it would be fitting to be viewed simultaneously with multiple perspectives. In 1911 Gris followed this shifting tailor and began to break analytical work outs. Eventually his works began to acquire veritable uniqueness, which was the referable to Gris own conception of cubism. He believed in creating and bill of forms alternatively than a com plication, he expresses this approach in his take protrude about Cezanne ~ Cezanne made a cylinder out of a bottleful. I start from the cylinder to create a wastefulness kind of individual object, I make a bottle out of a cylinder... the cubist movement had now survive from analytical to synthetic and Gris was one of its strongest supporters.
Gris lived a concise and shortsighted life, suffering chronic depression, implications of war and a physical illness. He was highly dedicated to his work and had a strong madness for art. He died at the age of 40 in 1927. Juan Gris work The violin 1916 is composed wi th few objects, overlapping in smooth out ! planes and balanced diagonals. The composition is focused on a medicamentians violin, stool, medicine sheet and bow. The picture appears to be sombre and depressing with dull... If you emergency brake to get a full essay, order it on our website:
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