Ah, Are You Digging on My Grave

Ah, argon You take away on My Grave? was first off published in the Saturday refresh on September 27, 1913, then in Thomas stouts 1914 collection, satires of Circumstance Lyrics and Reveries with Miscellaneous Pieces. The metrical composition reflects robusts interest in death and events beyond everyday reality, nevertheless these subjects are presented jocosely, with a conceptive dose of irony and satire. This treatment is somewhat unusual for Hardy, who also produced a number of more serious numberss concerning death. In Ah, Are You turn over On My Grave? a deceased woman carries on a colloquy with an individual who is disturbing her grave site.The identity of this figure, the digger of the womans grave is unknown through the first half of the poem (Ruby 1). As the woman attempts to guess who the digger is, she reveals her desire to be remembered by divers(a) figures she was acquainted with when she was alive. In a series of ironic turns, the responses of the digger turn out that the womans acquaintances a loved one, family relatives, and a despised opposite nonplus all forsaken her memory board. Finally it is revealed that the digger is the womans dog, but the canine too, is unconcerned with his former mistress and is digging only so it can bury a bone.Though the poem contains a humorous tone, the picture Hardy paints is bleak. The bloodless are al almost completely eliminated from the memory of the living and do not enjoy any form of satisfaction This somber outlook is typical of Hardys verse, which often presented a skeptical and negative view of the human condition (Ruby 1). Hardy was born(p) in 1840 and raised in the region of Dorestshire, England, the basis for the Wessex countryside that would later have the appearance _or_ semblance in his fiction and poetry. He attended a local enlighten until he was sixteen, when his mother paid a lot of money for him to be apprenticed to an architect in Dorchester.In 1862 he moved to London, where he worked as an architect, remaining there for a period of five years. between 1865 and 1867 Hardy wrote many poems, none of which were published. In 1867 he returned to Dorchester and, while proceed to work in architecture, began to write novels in his spare time. Hardy became persuade that if he was to make a living writing, he would have to do so as a novelist (Ruby 2). Drawing on the way of life-time he absorbed in Dorsetshire as a youth and the replete(p) range of English writers with which he as familiar, Hardy spent intimately thirty years as a novelist before devoting himself to poetry.In 1874 Hardy married Emma Lavinia Gifford, who would become subject of many of his poems. They spent several years in happiness until the 1880s, when marital troubles began to shake the closeness of their union. Hardys first book of verse was published in 1898, when he was fifty-eight years old and had achieved a large degree of success as a novelist. Although his verse was not nearly as successful as his novels, Hardy continued to focus on his poetry and published vii more books of verse before his death, developing his confidence (Ruby2).With the composition of the Dynasts A Drama of the Napoleonic Wars (1904-08) an epic historical drama written in verse, Hardy was hailed as a major poet. He was praised as a master of his craft, and his writing was admired for its great emotional force and technical skill. Hardy continued to write until just before his death in 1928. Despite his wish to be buried with his family, influential sentiment for his entombment in Poets Corner of Westminster Abbey instigated a severe compromise the remotion of his heart, which was buried in Dorchester, and the cremation of his body, which was interred in the Abbey (Ruby 2).The structure of Ah, Are You Digging On My Grave? is a familiar one, although not one usually associated with poetry the antic. A situation is established and briefly developed, then the cowboy draw in turns everything on its head. In Hardys bitter joke a dead woman has high- flown expectations of the living her loved one willing remain forever faithful to her her family will continue to look afterwards her exactly as they did in life and even her enemys hatred will not wane. The poems punch line deflates her hopes and reveals them as vain and crackbrained.Hardy sets up his joke carefully, with a poets attention to the language he uses (Ruby 4). The atmosphere is set in the first two lines. A sigh from the grave seems to signal profound guess on morality and love. The phrasing of the two lines is almost self-consciously poetic. much(prenominal) language is maintained throughout the first three stanzas. Expressions like position rue, Deaths gin. The Gate that shuts on all flesh pose feeling that is heightened, more sensitive and authentic than every day, emotion (Ruby 4).They agitate a sense of tragedy and compassion in the reader, yet Hardy is merely setting us up for the punch line. They tone of the poems language begins begins to change in the fourth stanza. One barely notices it, so great is the readers surprise that it was a micro dog that was poeticizing all along. The first seeds of doubt have been planted this poem may not be exactly what it at first seemed. The dead woman recognizes the dogs voice and utters the article of faith she feels most deeply a dogs love outshines anything human (Ruby 4). But when the dog replies, the reader realizes that Hardy is up to something else.The poetry and sentimentality have vanished. The dogs voice is as ordinary and plainspoken as that of the Wessex country folk. He deflates her last hope so offhandedly and without formalism that its effect is brutal. At the same time the dead womans expectations about her lover, her family and enemy are portrayed as products of the same ridiculous sentimental outlook (Hardy 4). After coming to the end of Ah, Are You Digging on My Grave? the reader realizes that t he title would have been more unblemished even if less interesting if called, Oh No One Is Digging on My Grave. (Ruby 10).